Faragó Béla
Composer
Place of Birth
Kaposvár
Date of Birth
1961
Béla Faragó was born in Kaposvár in 1961. He studied composing at the Béla Bartók Conservatory and the Ferenc Liszt Academy of Music in Budapest. In 1991/1992 he studied composing and computer music at Royal Conservatoire in The Hague. Since 1990 he has been the lecturer of classical composing techniques at the Jazz Department of the Ferenc Liszt Academy of Music.
Since 1977 he has been working as a performer and composer in different ensembles (between 1982 and 1990 as member of Group 180), over this period of time he has played in concerts with such outstanding personalities of contemporary music as Louis Andriessen, Steve Reich, or Terry Riley.
He has been the composer of numerous pieces of film music, radio plays, ballet- and theatrical accompaniments. His chamber opera entitled The secret was premiered in 1994. His works have been acknowledged both in Hungary and abroad. In 1996 he received an Erkel Award for his accomplishments.
His musical world has been formed by different outside influences, notably by Christian Wolff, Morton Feldman from the American repetitive school, the Fluxus movement, the composers of the Új Zenei Stúdió Budapest (New Musical Studio), and in the last couple of years György Kurtág and György Ligeti.
Since 1977 he has been working as a performer and composer in different ensembles (between 1982 and 1990 as member of Group 180), over this period of time he has played in concerts with such outstanding personalities of contemporary music as Louis Andriessen, Steve Reich, or Terry Riley.
He has been the composer of numerous pieces of film music, radio plays, ballet- and theatrical accompaniments. His chamber opera entitled The secret was premiered in 1994. His works have been acknowledged both in Hungary and abroad. In 1996 he received an Erkel Award for his accomplishments.
His musical world has been formed by different outside influences, notably by Christian Wolff, Morton Feldman from the American repetitive school, the Fluxus movement, the composers of the Új Zenei Stúdió Budapest (New Musical Studio), and in the last couple of years György Kurtág and György Ligeti.
| Title | Type | Year |
|---|---|---|
| "Ist es nicht kälter geworden?" / "Has It Not Become Colder?" | Solo voice(s) with solo instrument(s) | 1986 |
| "Seiko" - For 100 Quartz Watches | Other | 1984 |
| "Zazen" Hommage á L. Vidovszky | Live and tape music | 2005 |
| ---+++ 1 | Instrumental solo | 1994 |
| ...sub galli cantum... | Live and tape music | 1991 |
| 1101 Sounds | Tape music | 1997 |
| 353 days - "Mass" | Ensemble | 1995 |
| A Flea in Her Ear | Music for the theater | 1996 |
| A Glass of Water | Opera | 0 |
| Aerophone meditation | Solo voice(s) with solo instrument(s) | 2004 |
| Anankhé | Solo voice(s) with solo instrument(s) | 1987 |
| Antigone | Opera | 2013 |
| Antiphony | Live and tape music | 0 |
| At the River Danube | Instrumental solo | 2015 |
| Ave Maria | Solo voice(s) with orchestra | 2005 |
| Ball of the Ball of Balls | Solo voice(s) with ensemble | 2004 |
| Be Good Till Death | Music for the theater | 2006 |
| Beckett Symphony | Ballet / Choreographic work | 2002 |
| Birds of Pompeii | Solo voice(s) with solo instrument(s) | 2018 |
| Breathless | Film music | 1985 |
| Butler-Csárdás | Solo voice(s), choir & chamber ensemble | 2004 |
| Charme-Song | Solo voice(s), choir & chamber ensemble | 2004 |
| Contemplation and Csárdás | Electroacoustic music | 2003 |
| Csupaderű divatderű | Solo voice(s), choir & chamber ensemble | 2004 |
| Dance-Card (2006) | Live and tape music | 2006 |
| Dies Irae | Chamber Music | 0 |
| Dirty Works | Tape music | 1993 |
| Dust Bunny-Songs and Dances | Vocal ensemble | 2011 |
| East Side Story - Opera in two act | Opera | 2000 |
| Eastern Still Life | Solo voice(s) with ensemble | 2002 |
| Elegia (No. 1., 2., 3.) | Instrumental solo | 1977 |
| Environment with Music | Film music | 1988 |
| Epitaph | Chamber Music | 1983 |
| Erik Satie Remembrance-Song | Chamber Music | 1992 |
| Farewell | Solo voice(s) with solo instrument(s) | 1996 |
| Farewell to Life | Ballet / Choreographic work | 1998 |
| Farewell to Várad - Cantata on Janus Pannonius´s Poems | Solo voice(s), choir & orchestra | 1990 |
| Fehér virág / Tavaszváró | Choir a cappella | 1976 |
| Film Development | Music for the theater | 2001 |
| For My Birthday | Solo voice(s) with solo instrument(s) | 2024 |
| Four Breathes for Usui | Chamber Music | 2001 |
| Four Duos for Trombone | Chamber Music | 1979 |
| Four-Part Invention | Live electronic music | 1991 |
| Gloria and Sanctus (1) | Choir and chamber orchestra | 1995 |
| Gloria and Sanctus (2) | Choir and chamber orchestra | 1995 |
| Good Friday in Rodosto | Music for the theater | 2005 |
| Gregor Samsa´s Desires | Chamber Music | 1991 |
| Hagymázas álom | Solo voice(s) with ensemble | 2004 |
| Hamlet | Music for the theater | 2005 |
| Hero of the West | Music for the theater | 2004 |
| Hommage for Two Guitars | Chamber Music | 2025 |
| Hoquetus | Electroacoustic music | 2000 |
| Hosanna | Solo voice(s), choir & chamber ensemble | 2004 |
| How to Find our Lost Love? | Solo voice(s) with ensemble | 2002 |
| if... for piano solo | Instrumental solo | 1978 |
| In memoriam János Esterházy | Solo voice(s), choir & solo instrument(s) | 2022 |
| Invention - For 2 Pianos | Chamber Music | 1978 |
| Island of Treasures | Stage work | 2013 |
| Janus-Face | Chamber Music | 1998 |
| Jesus, stay with us | Mixed choir | 1993 |
| Kaddish and Shofar | Electroacoustic music | 2004 |
| Kaddish for Myself | Ballet / Choreographic work | 2014 |
| Károly Bari´s Poetry | Incidental music | 1992 |
| Kereszttel hátuk szőrén | Mixed choir | 1976 |
| Ki-kivirulé | Solo voice(s), choir & chamber orchestra | 2004 |
| Kifesel a babaruha | Solo voice(s), choir & chamber ensemble | 2004 |
| Last Dinner - for the Last Time | Solo voice(s) with solo instrument(s) | 1988 |
| Laughter-Song | Solo voice(s), choir & chamber ensemble | 2004 |
| Lelikvi-Song | Solo voice(s) with ensemble | 2004 |
| Leokádia-Song | Solo voice(s) with ensemble | 2004 |
| Little Suite | Chamber Music | 0 |
| Lord of the Flies | Music for the theater | 2004 |
| Love in Na´Conxypán | Stage work | 1994 |
| Love Song | Solo voice(s) with ensemble | 2004 |
| Lux Perpetua | Solo voice(s) with solo instrument(s) | 1998 |
| Masquerade Song | Solo voice(s) with ensemble | 2004 |
| Matt the Gooseboy | Stage work | 2010 |
| Mode-Song | Solo voice(s), choir & chamber ensemble | 2004 |
| Momo | Music for the theater | 2014 |
| Moonlight | Music for the theater | 2002 |
| Moonshadow Sonatina | Instrumental solo | 1999 |
| Musica ficta | Chamber Music | 1987 |
| Musica realtá | Chamber Music | 2005 |
| Musik für T. | Chamber Music | 0 |
| My Wall Newspaper | Other | 1984 |
| Naked-Song | Solo voice(s), choir & chamber ensemble | 2004 |
| Na´Conxypán Stories | Stage work | 1995 |
| New musica ficta | Chamber Music | 1999 |
| New musica ficta | Chamber Music | 0 |
| NGC 1961 M 22 | Instrumental solo | 1978 |
| Noiselessness, Unmarriedness | Solo voice(s), choir & chamber ensemble | 2004 |
| Notes on a Dream | Ensemble | 1990 |
| Oboára | Instrumental solo | 1977 |
| Omaggio a Girolamo Diruta | Solo voice(s) with solo instrument(s) | 0 |
| Omnes Generationes | Live and tape music | 2011 |
| On the First Day | Chamber Music | 1979 |
| Operetta | Stage work | 2003 |
| Pattern Modulations No. 2 | Live electronic music | 1999 |
| Pelléas and Mélisande | Music for the theater | 2005 |
| Popeocalipse | Solo voice(s), choir & chamber ensemble | 2004 |
| Professor Hannibal | Music for the theater | 2013 |
| Prometheus - Cantata | Choir and solo instrument(s) | 2000 |
| Quintetto per fiati / Wind Quintet | Chamber Music | 1979 |
| Report to the Academy | Tape music | 1985 |
| Romeo and Juliet | Music for the theater | 2003 |
| School a the Frontier | Music for the theater | 2006 |
| Shadowsong | Solo voice(s) with solo instrument(s) | 2002 |
| Shadowsong (2) | Solo voice(s) with solo instrument(s) | 2002 |
| Silver Age | Film music | 1993 |
| Song of the Beggar Woman | Solo voice(s) with ensemble | 2004 |
| Songs from an Operetta | Solo voice(s), choir & chamber orchestra | 2003 |
| Songs on Attila József´s Poems | Solo voice(s) with solo instrument(s) | 1996 |
| Soundprocesses | Live electronic music | 2014 |
| Space Sheperds´ Play | Music for the theater | 2005 |
| Stalin-Baroque | Solo voice(s) with solo instrument(s) | 1991 |
| String Quartet | Chamber Music | 1998 |
| Study | Electroacoustic music | 0 |
| Sweet Dream - Slow Death | Solo voice(s) with solo instrument(s) | 1995 |
| Testimony | Vocal music | 2019 |
| The awakening of the Arts - Multimedia Collage | Music for the theater | 1980 |
| The Caucasian Chalk Circle | Music for the theater | 2007 |
| The Faces of Light | Solo voice(s) with solo instrument(s) | 2001 |
| The Gentleman Rider´s Galop | Solo voice(s), choir & chamber ensemble | 2004 |
| The Last Valse | Ballet / Choreographic work | 1983 |
| The Metamorphosis | Opera | 2009 |
| The Paul Street Boys | Music for the theater | 2002 |
| The Paul Street Boys | Music for the theater | 2012 |
| The Paul Street Boys | Music for the theater | 2007 |
| The Secret - Chamber Opera in One Act | Opera | 1994 |
| The Silvermirror | Ballet / Choreographic work | 1993 |
| The Spider´s Death | Ensemble | 1983 |
| The Spider´s Revelry | Chamber Music | 1980 |
| The Spider´s Wedding | Chamber Music | 1982 |
| The Villis (= Ghost Brides) | Ballet / Choreographic work | 1993 |
| The Villis (=Ghost Brides) - Ballett suite | Live electronic music | 1993 |
| Three Dances | Chamber Music | 1991 |
| Threnody | Solo voice(s), choir & chamber ensemble | 2004 |
| Transcription: Franz Xaver Gruber - Silent Night | Choir and solo instrument(s) | 2000 |
| Trio | Chamber Music | 1998 |
| Two Interludes | Chamber orchestra | 2000 |
| Two Miniatures | String orchestra | 2004 |
| Waybird - or a hasty work is seldom good | Music for the theater | 2001 |
| Whenever You´re Away | Chamber Music | 1985 |
| Word - Play | Chamber Music | 2020 |