Zarándy Ákos
Composer
Place of Birth
Budapest
Date of Birth
1982
28 September 1982 Budapest
Ákos Zarándy started his music studies in 1997 in the solfeggio-music theory department of the King Saint Stephen Secondary School for Music. Since 2000 he studied composing from László Draskóczy. Between 2001 and 2006 he was pupil of Máté Szabó Sipos and Valér Jobbágy at the singing and music teacher and conducting department of the Ferenc Liszt Academy of Music Budapest. In 2004 he was accepted to the composing department as well, his teacher was János Vajda and from 2007 Zoltán Jeney.
On the 26th of August 2009 – in frames of his composing diploma concert – a cross-section from his first opera („Las dos Fridas”) was played in the Great Hall of the Music Academy by outstanding instrumental soloists (Ildikó Szakács, Ágnes Herczku, Csaba Klenyán, László Ernyei, Ditta Rohmann, András Szalai, László Tömösközi) and the Symphonic Orchestra of the Hungarian Radio conducted by László Tihanyi.
Ákos Zarándy is permanent participant of many contemporary music concerts (Music of Our Age, Budapest Autumn Festival, Youth Contemporary Music Evening, Con Spirito club concerts). His compositions were presented in Austria, the Czech Republic, Poland, Serbia and Mexico. The Hungarian Radio archived a number of his records and also played them many times.
His work "Nightmare Symphony" was qualified for the final of the "Új Magyar Zenei Fórum 2011" (New Hungarian Music Forum 2009) composers´ competition, and won the special prize of Fidelio Media.
International contemporary music festivals and courses:
2007-2008 Vienna, Budapest
„Herausragende, innovative Aktivitäten des Instituts für Komposition und Elektroakustik” Johannes Kretz, Andrea Szigetvári
2008 Amsterdam
„Gaudeamus Music Week”
2009 Ostrava
„Ostrava Days – New Music Festival”
Richard Ayres, Petr Kotík, Michael Schumacher, Christian Wolff
Ákos Zarándy started his music studies in 1997 in the solfeggio-music theory department of the King Saint Stephen Secondary School for Music. Since 2000 he studied composing from László Draskóczy. Between 2001 and 2006 he was pupil of Máté Szabó Sipos and Valér Jobbágy at the singing and music teacher and conducting department of the Ferenc Liszt Academy of Music Budapest. In 2004 he was accepted to the composing department as well, his teacher was János Vajda and from 2007 Zoltán Jeney.
On the 26th of August 2009 – in frames of his composing diploma concert – a cross-section from his first opera („Las dos Fridas”) was played in the Great Hall of the Music Academy by outstanding instrumental soloists (Ildikó Szakács, Ágnes Herczku, Csaba Klenyán, László Ernyei, Ditta Rohmann, András Szalai, László Tömösközi) and the Symphonic Orchestra of the Hungarian Radio conducted by László Tihanyi.
Ákos Zarándy is permanent participant of many contemporary music concerts (Music of Our Age, Budapest Autumn Festival, Youth Contemporary Music Evening, Con Spirito club concerts). His compositions were presented in Austria, the Czech Republic, Poland, Serbia and Mexico. The Hungarian Radio archived a number of his records and also played them many times.
His work "Nightmare Symphony" was qualified for the final of the "Új Magyar Zenei Fórum 2011" (New Hungarian Music Forum 2009) composers´ competition, and won the special prize of Fidelio Media.
International contemporary music festivals and courses:
2007-2008 Vienna, Budapest
„Herausragende, innovative Aktivitäten des Instituts für Komposition und Elektroakustik” Johannes Kretz, Andrea Szigetvári
2008 Amsterdam
„Gaudeamus Music Week”
2009 Ostrava
„Ostrava Days – New Music Festival”
Richard Ayres, Petr Kotík, Michael Schumacher, Christian Wolff
| Year | Title | Publisher | Code | Remark |
|---|---|---|---|---|
| 2011 |
New Hungarian Music Forum 2011 composers' competition
(Új Magyar Zenei Fórum 2011 zeneszerzőverseny) |
BMC HMIC | BMC PCD 28 |
| Title | Type | Year |
|---|---|---|
| շողեր (shoger) / Shine | Chamber Music | 2013 |
| „olyan szövetből vagyunk, mint álmaink" | Music for the theater | 2003 |
| …Apfelsine… | Chamber Music | 2001 |
| 6:3 | !to be determined | 0 |
| 6:3 | Ensemble | 2018 |
| Angry Birds | Chamber Music | 2017 |
| Apokalypsis Ióannou 22/5 | Female choir | 2010 |
| Ave Maria | Mixed choir | 2002 |
| Bethin | Chamber Music | 2015 |
| Boogie Woogie Nun | Chamber Music | 2015 |
| Border Lightd of Silence | Chamber Music | 2022 |
| Breath Metal Ballad | Chamber Music | 2014 |
| Canção | Chamber Music | 2005 |
| Canción | Chamber Music | 2006 |
| Chanson sans un bon(bon) titre | Instrumental solo | 2016 |
| Christmas Bagatell | Instrumental solo | 2003 |
| Circus, Circus, Circus | Music for the theater | 2009 |
| Citromsavas teaízesÍtő | Electroacoustic music | 2006 |
| Clarinet Quartet No. 1 | Chamber Music | 2003 |
| Clarinet Quartet No. 2 | Chamber Music | 2004 |
| Clarinet Quartet No. 3 | Chamber Music | 2004 |
| Concerto Classico for Clarinet, Trumpet and Orchestra | Concerto | 2015 |
| Cosmic Dust Journey | Chamber Music | 2019 |
| Cuadros de Kahlo | Chamber Music | 2007 |
| Dance in the Orchard of the Petenera | Solo voice(s) with solo instrument(s) | 2004 |
| Danzón | Instrumental solo | 2012 |
| Double Concerto for Clarinet, Piano and Strings | Concerto | 2012 |
| Double sAx | Chamber Music | 2014 |
| Due intermezzi | Chamber Music | 2001 |
| Echo | Solo voice(s) with solo instrument(s) | 2006 |
| Eco (Epilogue from "Las dos Fridas" Opera Mosaic) | Solo voice(s) with orchestra | 2009 |
| Eternal Fire | Mixed choir | 2020 |
| Etude – hommage à Messiaen | Instrumental solo | 2022 |
| Fanfare – hommage à Messiaen | Instrumental solo | 2022 |
| Fantasia mexicana | Chamber Music | 2014 |
| Farewell Waltz | Choir and orchestra | 2000 |
| Fast Fugue and Postlude | !to be determined | 0 |
| Flowers | Instrumental solo | 2022 |
| Four Miniatures for Clarinet | Instrumental solo | 2001 |
| Four Monologues | Instrumental solo | 2023 |
| Fragmenta Csikiensia | Chamber Music | 2018 |
| From the Merry Songs of Darkness | Children's choir | 2018 |
| Gând exilat | Electroacoustic music | 2014 |
| Hidden life | Film music | 2009 |
| Huapango | Instrumental solo | 2015 |
| I am of an age with each | Vocal ensemble | 2014 |
| Iceage | Mixed choir | 2006 |
| Icicles | Chamber Music | 2014 |
| In Z | Ensemble | 2023 |
| Intimate Rendezvous - For Solo Marimba | Instrumental solo | 2001 |
| Inventions | Chamber Music | 2008 |
| It is Only a Sonatine – For Trombone and MIDI Trombone | Chamber Music | 2013 |
| Kyrie | Solo voice(s), choir & chamber orchestra | 2002 |
| La Columna Rota (from "Las dos Fridas" Opera Mosaic) | Solo voice(s) with orchestra | 2009 |
| Leaves | Instrumental solo | 2023 |
| Little Snake | Instrumental solo | 2022 |
| Los | Chamber Music | 2012 |
| Lullaby | Chamber Music | 2017 |
| May the Source Be Pure! | Symphony orchestra | 2020 |
| Maze | Instrumental solo | 2024 |
| Memories of Tihany | Symphony orchestra | 1999 |
| Menjangan | Chamber Music | 2013 |
| Mirrordrops | Solo voice(s) with solo instrument(s) | 2010 |
| Missa Prima | Solo voice(s), choir & solo instrument(s) | 2025 |
| Mourning Song for Thirteen Insruments | Chamber Music | 2003 |
| New World Trio | Chamber Music | 2011 |
| Nightmare Symphony | Symphony orchestra | 2010 |
| On the Third Day | Female choir | 2014 |
| Pale Purple Steam | Orchestral work | 2016 |
| Pe-log in | Chamber Music | 2012 |
| Pelog Klangspiel | Electroacoustic music | 2017 |
| Pilinszky Songs 1-2-3 | Solo voice(s) with solo instrument(s) | 2012 |
| Pinturas mexicanas | Instrumental solo | 2010 |
| Praeludium (Hommage á Kodály) | Instrumental solo | 2022 |
| Psyché - Hegyaljai évek | Solo voice(s) with ensemble | 2020 |
| Rêverie | Chamber Music | 2001 |
| Ray | Solo voice(s) with solo instrument(s) | 2017 |
| Rákóczi-concerto for Tárogató and Orchestra | Concerto | 2019 |
| Re-turn | Electroacoustic music | 2007 |
| Recuerdo (Prologue from "Las dos Fridas" Opera Mosaic) | Solo voice(s) with ensemble | 2009 |
| Ricercare a 3 voci | Chamber Music | 2016 |
| Ricercare a 4 voci | Chamber Music | 2008 |
| Ricercare a 6 voci | Chamber Music | 2008 |
| Ritratto di Barnabás Lenner - El gigante | Instrumental solo | 2014 |
| Ritratto di Csaba Klenyán - Solitario | Chamber Music | 2014 |
| Ritratto di Luca Marton - Ombrosa | Instrumental solo | 2014 |
| Ritratto di Péter Szűcs | Instrumental solo | 2015 |
| Ruin Construction | Solo voice(s) with solo instrument(s) | 2025 |
| Sarabande | Instrumental solo | 2014 |
| Savászana | Solo voice(s) with solo instrument(s) | 2025 |
| Scale-Fantasy in D Major | String orchestra | 0 |
| Schizoeffect | Instrumental solo | 2016 |
| Serenata | Male choir | 2010 |
| Sextet | Chamber Music | 2007 |
| She Against the Music | Electroacoustic music | 2008 |
| Slipped | Chamber Music | 2022 |
| Snowwhite - Concerto for Clarinet and String Orchestra | Concerto | 2011 |
| Solitude | Solo voice(s) with solo instrument(s) | 2006 |
| Someone Walks on the Tip of the Trees | Electroacoustic music | 2014 |
| Song from the Mountains | Symphony orchestra | 2017 |
| Songs by András G. Villányi No. 1 | Solo voice(s) a cappella | 2023 |
| Songs by András G. Villányi No. 2 | Solo voice(s) a cappella | 2024 |
| Songs of the Poor Lad | Choir and orchestra | 2015 |
| Songs to Peoms by Pilinszky | Solo voice(s) a cappella | 2008 |
| Spürst Du Mein Herz? | Orchestral work | 2014 |
| Stabat mater | Choir and chamber orchestra | 1999 |
| Steb by Step | Instrumental solo | 2008 |
| Symphony in D | Symphony orchestra | 2007 |
| Tƚig / Click | Solo voice(s) with ensemble | 2015 |
| Teardrop Waltz | Symphony orchestra | 1998 |
| The Lake Cries | Chamber Music | 2004 |
| The Loves of Orpheus | Instrumental solo | 2024 |
| Three Hungarian Pictures | Symphony orchestra | 2001 |
| Torzonborz (Shaggy) - For Trombone Solo | Instrumental solo | 2001 |
| Touch – For Viola, Piano | Chamber Music | 2012 |
| Trio Why-G | Chamber Music | 2018 |
| Ukihashi | Opera | 2016 |
| Un petit échiquier | Instrumental solo | 2016 |
| Vigilia | Instrumental solo | 2005 |
| Viola in C – For Viola and Orchestra | Concerto | 2013 |
| Viola quarter | Instrumental solo | 2014 |
| Violin Concerto from the Dephts | Concerto | 2017 |
| Vorspiel | Electroacoustic music | 2006 |
| W. C. Woman Closed | Music for the theater | 2011 |
| Without Songs | Solo voice(s) with solo instrument(s) | 2017 |