Lendvay Kamilló
Composer
Place of Birth
Budapest
Date of Birth
1928
28th December, 1928, Budapest - 30th November, 2016, Budapest
Composer awarded with the Kossuth Prize, also professor emeritus of the Ferenc Liszt Music Academy. Former reader of the Hungarian Radio.
He started his music studies with the piano teacher Margit Varró. One year later he was pupil of György Kámán in the Fodor Music School until 1938. In 1949 he was accepted to the Ferenc Liszt Music Academy, where he became pupil of János Viski and graduated in 1957. For two years his master was László Somogyi. Through these years he had composed the Trio Serenade and the Rapsody for violin and piano, while in 1955 he composed his String Trio. In 1957 he became more interested in vocal music while he was conductor, répétiteur and director of the coir at the Szeged Opera House. His Concertino was presented in 1960 and it became an outstanding music piece in the history of Hungarian concertos of the 50s.
Between 1960 and 1966 he worked as music director of the State Puppet Theater and from 1966 to 1968 he was art director of the Art Ensemble of the Hungarian Peoples Army. In the 70s he composed the oratorio Orogenesis, and then the cantata Pro Libertate. This was followed by the cantata Scenes (1978-1981), which was composed on excerpts from Thomas Manns novel, Joseph and his brothers. In 1972 he became teacher of music theory at the Ferenc Liszt Music Academy. From 1976 to 1992 he worked here as head of department and university teacher. Two of his operas were requests of the Hungarian Television. In 1972 he composed a one-act play, The magic chair, then an opera based on Sartres La putain respecteuse in 1978. Both compositions were presented on stage in Görlitz and Paris.
As commission of the Festival dArt Sacre Paris he composed the Via crucis that was presented 1989 in the cathedral Eglise de la Trinité. The first performance of his Stabat Mater also took place in Paris, at the Forum des Orgue Festival. From the oeuvre of Lendvay emerge his symphonic works, like the ten concertos, his chamber music and instrumental solo works. His compositions are frequently played in the United States, as well as in the concert halls of Europe and Asia. The Pezzo Concertato per Violoncello ed Orchestra (it is his cello concerto) won a prize at the International Composing Contest in Triest. The recording of the opera La putain respecteuse was awarded with the Paris Grand Prix International du Disque Lyrique in 1979.
As admission to his achievements as composer, Kamilló Lendvay received the Erkel Prize (1962, 1964, 1978), the title Merited Artist (1981), the Bartók-Pásztory Award (1989, 2005), the title Excellent Artist (1996), the Silver Pen Award and the Kossuth Prize (1998), and recently the Artisjus Music Award as well.
Composer awarded with the Kossuth Prize, also professor emeritus of the Ferenc Liszt Music Academy. Former reader of the Hungarian Radio.
He started his music studies with the piano teacher Margit Varró. One year later he was pupil of György Kámán in the Fodor Music School until 1938. In 1949 he was accepted to the Ferenc Liszt Music Academy, where he became pupil of János Viski and graduated in 1957. For two years his master was László Somogyi. Through these years he had composed the Trio Serenade and the Rapsody for violin and piano, while in 1955 he composed his String Trio. In 1957 he became more interested in vocal music while he was conductor, répétiteur and director of the coir at the Szeged Opera House. His Concertino was presented in 1960 and it became an outstanding music piece in the history of Hungarian concertos of the 50s.
Between 1960 and 1966 he worked as music director of the State Puppet Theater and from 1966 to 1968 he was art director of the Art Ensemble of the Hungarian Peoples Army. In the 70s he composed the oratorio Orogenesis, and then the cantata Pro Libertate. This was followed by the cantata Scenes (1978-1981), which was composed on excerpts from Thomas Manns novel, Joseph and his brothers. In 1972 he became teacher of music theory at the Ferenc Liszt Music Academy. From 1976 to 1992 he worked here as head of department and university teacher. Two of his operas were requests of the Hungarian Television. In 1972 he composed a one-act play, The magic chair, then an opera based on Sartres La putain respecteuse in 1978. Both compositions were presented on stage in Görlitz and Paris.
As commission of the Festival dArt Sacre Paris he composed the Via crucis that was presented 1989 in the cathedral Eglise de la Trinité. The first performance of his Stabat Mater also took place in Paris, at the Forum des Orgue Festival. From the oeuvre of Lendvay emerge his symphonic works, like the ten concertos, his chamber music and instrumental solo works. His compositions are frequently played in the United States, as well as in the concert halls of Europe and Asia. The Pezzo Concertato per Violoncello ed Orchestra (it is his cello concerto) won a prize at the International Composing Contest in Triest. The recording of the opera La putain respecteuse was awarded with the Paris Grand Prix International du Disque Lyrique in 1979.
As admission to his achievements as composer, Kamilló Lendvay received the Erkel Prize (1962, 1964, 1978), the title Merited Artist (1981), the Bartók-Pásztory Award (1989, 2005), the title Excellent Artist (1996), the Silver Pen Award and the Kossuth Prize (1998), and recently the Artisjus Music Award as well.
| Title | Type | Year |
|---|---|---|
| "We Lived in an Age" | Film music | 1967 |
| 12 Easy Violin-Duos for Children | Chamber Music | 1994 |
| 2 Movements for Trumpet | Instrumental solo | 1997 |
| 24 Duos | Chamber Music | 1985 |
| 2x1 | Instrumental solo | 2007 |
| A Gleam Flames Up... | Choir a cappella | 1960 |
| A Last Message From Maestro Tshaikovsky | Wind orchestra | 1994 |
| Adventure on the Venus | Music for the theater | 1963 |
| After Sixty | Film music | 1971 |
| As You Like It | Chamber Music | 1983 |
| Aurél Bernáth | Film music | 1973 |
| Between Bulgarian Mountains | Film music | 1963 |
| Bis! / Encore! | Instrumental solo | 0 |
| Black Box - Brain Research | Film music | 1975 |
| Bridge Over the Danube | Film music | 1965 |
| But I no longer know what to do | Mixed choir | 1980 |
| Call to Dance | Solo voice(s), choir & chamber orchestra | 1979 |
| Canzone Allegra | Choir and solo instrument(s) | 1969 |
| Cart-Drive into the Night | Solo voice(s) with ensemble | 1970 |
| Chaconne | Symphony orchestra | 1988 |
| Chansons de la Foret / Songs of the Forest | Chamber orchestra | 1999 |
| Chatty Song | Choir and solo instrument(s) | 1974 |
| Chess | Film music | 1966 |
| Concertino | Concerto | 1959 |
| Concertino for Piano, Winds, Percussion and Harp (Version 1982) | Concerto | 1982 |
| Concerto da camera | Ensemble | 1969 |
| Concerto for Piano | Concerto | 2000 |
| Concerto for Soprano Saxophone | Concerto | 1996 |
| Concerto for Trumpet | Concerto | 1990 |
| Concerto semplice | Concerto | 1986 |
| Confronting | Film music | 1975 |
| Cricket Tale | Solo voice(s), choir & solo instrument(s) | 1987 |
| Csilicsala´s Magic | Music for the theater | 1961 |
| De Zwaan / The Swan | Male choir | 1982 |
| Der Zauberstuhl / The Magic Chair | Opera | 1972 |
| Die himmlische Stadt / The Heavenly City | Solo voice(s), choir & orchestra | 2004 |
| Disposizioni / Moods | Instrumental solo | 1975 |
| Double Concerto | Concerto | 1991 |
| Double Play | Chamber Music | 2000 |
| Dózsa Weeper | Male choir | 1965 |
| Dózsa Weeper | Mixed choir | 1973 |
| End of August | Choir and solo instrument(s) | 1981 |
| Ex | Music for the theater | 1968 |
| Example and Hope | Choir and solo instrument(s) | 1963 |
| Expressions | Ensemble | 1974 |
| Fairytale Ball | Children's choir | 1973 |
| Fantasia and Fugue | Instrumental solo | 1990 |
| Fantasy | Symphony orchestra | 0 |
| Festspiel-Ouverture / Festival Overture | Wind orchestra | 1984 |
| Fifthmusic | Instrumental solo | 1979 |
| Five Arrogant Ideas | Chamber Music | 1979 |
| Five Movements in Quotation-Marks | Chamber Music | 1981 |
| Flea Ball | Music for the theater | 1965 |
| Four Duos | Chamber Music | 1965 |
| Four Orchestral Invocations | Symphony orchestra | 1966 |
| Fragment | Choir a cappella | 1973 |
| Frog Song | Choir and solo instrument(s) | 1990 |
| Further Eight Arrogant Ideas | Chamber Music | 1986 |
| Giant´s Song | Mixed choir | 1973 |
| Hail Damage | Film music | 1966 |
| Handstand | Film music | 1976 |
| Healing Wounds | Film music | 1976 |
| Holzhacker / Logger | Mixed choir | 1975 |
| Home | Film music | 1965 |
| Houses | Film music | 1966 |
| Hungaian Requiem | Film music | 1990 |
| I am Jerome | Film music | 1971 |
| I Didn´t Used to Lie | Film music | 1966 |
| Incentive | Mixed choir | 1978 |
| Jazz Symphony | Symphony orchestra | 2009 |
| Kitty Térdszél (Prank Tales I.) | Music for the theater | 1979 |
| La Putain respectueuse / The Respectful Prostitute | Opera | 1978 |
| Lake Balaton | Film music | 1969 |
| Lancers | Film music | 1975 |
| Landscape Song | Solo voice(s) with solo instrument(s) | 1986 |
| Las Vegas | Film music | 1970 |
| Lekváros a város | Children's choir | 0 |
| Little Suite | Chamber orchestra | 1956 |
| Little Valentino | Film music | 1979 |
| Love of Three Oranges | Music for the theater | 1964 |
| Margaret Island | Film music | 1960 |
| Mary Morison´s Madrigal | Mixed choir | 1967 |
| Mauthausen | Symphony orchestra | 1958 |
| Metamorphosis of a Cimbalom Piece | Ensemble | 1979 |
| Morning at Six | Children's choir | 1987 |
| Musica la dolce | Chamber orchestra | 1995 |
| My Mother is a Black Rose | Solo voice(s) with solo instrument(s) | 1992 |
| Night | Female choir | 1967 |
| Night No. 2 | Mixed choir | 1974 |
| Opening of a New Age | Solo voice(s), choir & solo instrument(s) | 1963 |
| Orogenesis | Solo voice(s), choir & orchestra | 1970 |
| Palm Sunday | Solo voice(s) with solo instrument(s) | 1992 |
| Pezzo Concertato | Concerto | 1975 |
| Pro Libertate | Solo voice(s), choir & orchestra | 1975 |
| Psalmus XCV / Psalm 95 | Choir and chamber ensemble | 2008 |
| Quartetto per archi No. 1 / String Quartet No. 1 | Chamber Music | 1963 |
| Ragtime | Choir and solo instrument(s) | 1984 |
| Rapsodia | Chamber Music | 1955 |
| Requiem | Solo voice(s), choir & orchestra | 2003 |
| Respectfully Yours, Mr. Goodman! | Instrumental solo | 1987 |
| Revegetation | Film music | 1988 |
| Rhapsody | Symphony orchestra | 1997 |
| Rondo for Two Trumpets and Orchestra | Concerto | 1994 |
| Salutation | Solo voice(s), choir & solo instrument(s) | 1960 |
| Scenes - Cantata on Thomas Mann´s Tetralogy: Joseph and His Brothers | Solo voice(s) with orchestra | 1981 |
| Scherzo | Wind orchestra | 0 |
| School-songs | Children's choir | 0 |
| Screen Test | Film music | 1966 |
| Seasons, Masters, Masterpieces | Film music | 1964 |
| Second Suite | Wind orchestra | 1996 |
| Senza sordina | Chamber Music | 1983 |
| Senza sordina | Wind orchestra | 1985 |
| Serenade | Chamber Music | 1954 |
| Seven Short Pieces | Chamber Music | 1999 |
| Six B. to B. | Instrumental solo | 1995 |
| Sketchbook for Szakcsi | Instrumental solo | 1998 |
| Snow Queen | Music for the theater | 1970 |
| Soldier Song | Male choir | 0 |
| Sonata | Instrumental solo | 2006 |
| Song about the Hungarian Soviet Republic | Choir and solo instrument(s) | 1959 |
| Sonnet 75 | Solo voice(s) with solo instrument(s) | 1985 |
| Sotto voce No. 1 | Female choir | 1980 |
| Sotto voce No. 2 | Female choir | 1979 |
| Sotto Voce No. 3 - In memoriam Claude Achille Debussy | Chamber Music | 1997 |
| Speciality | Film music | 1970 |
| Stabat Mater | Solo voice(s), choir & orchestra | 1991 |
| Standoff | Film music | 1969 |
| Story-Telling Dance | Wind orchestra | 1952 |
| String Quartet No. 2 | Chamber Music | 2007 |
| Strophe Song | Choir and solo instrument(s) | 1981 |
| Study | Instrumental solo | 1995 |
| Sturdy John (Tales of Nations III.) | Music for the theater | 1970 |
| Sunflower | Choir and solo instrument(s) | 1971 |
| Szél hozott, szél visz el | Children's choir | 1972 |
| Tad on White Horse | Film music | 1973 |
| Tale About the Shabby Troubadour | Film music | 1981 |
| The Cricket, the Ant and the Others | Ensemble | 1993 |
| The Harmony of Silence | Symphony orchestra | 1980 |
| The Rooster Crows | Choir and solo instrument(s) | 1967 |
| The Unyielding Tin Soldier | Symphony orchestra | 1961 |
| Thirdplay | Chamber Music | 1993 |
| Three Carnival Masks | Wind orchestra | 1960 |
| Three Male Choruses | Male choir | 1958 |
| Three Movements | Chamber Music | 1994 |
| Three Movements for Trombone | Instrumental solo | 2007 |
| Together | Film music | 1964 |
| Topknot | Children's choir | 1978 |
| Tornyai János | Film music | 1962 |
| Towards the One Thousand and One Nights | Music for the theater | 1964 |
| Tragic Overture | Symphony orchestra | 1958 |
| Tsunami | Wind orchestra | 2005 |
| Two Capriccios | Instrumental solo | 2007 |
| Two Little Pieces for Beginners | Chamber Music | 0 |
| Two Shores of the Sea - The Bulgarian Shore | Film music | 1965 |
| Variazioni con tema | Chamber Music | 1986 |
| Veszprém County Miner Songs | Mixed choir | 0 |
| Via crucis | Solo voice(s), choir & chamber orchestra | 1989 |
| Village Symphony | Film music | 1963 |
| Violin Concerto No. 1 | Concerto | 1962 |
| Violin Concerto No. 1 (Piano reduction) | Concerto | 1962 |
| Violin Concerto No. 2 | Concerto | 1986 |
| Waves´ World | Film music | 1961 |
| What Will I Do When I Grow Up? | Choir and solo instrument(s) | 1963 |
| While the Man | Choir and solo instrument(s) | 1973 |
| Wind Symphony | Wind orchestra | 2008 |
| Winter Morning | Mixed choir | 1966 |