Eötvös Péter
Composer
Place of Birth
Székelyudvarhely [Odorheiu Secuiesc, Románia]
Date of Birth
1944
Web
2 January 1944 Székelyudvarhely [today: Odorheiu Secuiesc, Romania] - 2024. március 24.
Peter Eötvös is one of the best known interpreters of 20th century music. He was born in 1944 in Transsylvania, received diplomas from Budapest Academy of Music (composition) and Hochschule für Musik in Cologne (conducting). Between 1968 and 1976 he played regularly with the Stockhausen Ensemble. From 1971 to 1979 he collaborated with the electronic music studio of the Westdeutscher Rundfunk in Cologne.
In 1978, at the invitation of Pierre Boulez, he conducted the inaugural concert of IRCAM in Paris, and was subsequently named musical director of the Ensemble InterContemporain, a post he held until 1991. Since his Proms debut in 1980 he made regular appearances in London. During 1985-1988 he was Principal Guest Conductor of the BBC Symphony Orchestra. He was appointed First Guest Conductor at the Budapest Festival Orchestra in 1992-1995, First Guest Conductor at National Philharmonic Orchestra (Budapest) in 1998-2001, Chief Conductor of the Radio Chamber Orchestra of Hilversum in 1994-2005, First Guest conductor of the Stuttgart Radio Symphony Orchestra in 2003-2005 and Principal Guest Conductor, Modern and Contemporary Repertoire at Gothenburg Symphony Orchestra from 2003 to 2007. From 2009 he was First Guest Conductor at Radio Symphony Orchestra in Vienna.
Other orchestras he worked with include the most important Radio Orchestras in Europe, the Royal Concertgebouw Orchestra, Berlin Philharmonic Orchestra, Munich Philharmonic Orchestra, London Philharmonia, Wiener Philharmoniker, Orchestre de Paris, Cleveland Orchestra, NHK Orchestra Tokyo, Los Angeles Philharmonic and New Japan Symphony Orchestra. He also worked in opera houses including La Scala Milan, the Royal Opera House Covent Garden and La Monnaie, Brussels, Festival Opera Glyndebourne, Theatre du Chatelet Paris, with directors including Luca Ronconi, Robert Altman, Klaus-Michael Grüber, Robert Wilson, Nikolaus Lehnhof, Ushio Amagatsu.
In 1991 he founded the International Eötvös Institute and Foundation, in 2004 the Eötvös Contemporary Music Foundation in Budapest for young conductors and composers. During 1992-98 he was professor at the Hochschule für Musik in Karlsruhe, and from 1998 to 2001 at Cologne's Hochschule für Musik. He returned to his post at the Musikhochschule Karlsruhe between 2002-2007. He regularly conducted master courses and seminars all over the world, e.g. Edekoben, Luzern, Basel, Luxemburg, Szombathely, Madrid etc.
His many compositions (e.g. Atlantis, zeroPoints, Shadows, Levitation, CAP-KO, SEVEN) and operas (Three sisters, Le Balcon, Angels in America, Love and Other Demons, Die Tragödie des Teufels) are regularly performed throughout the world.
Three Sisters was awarded France´s Prix Claude-Rostand, Grand Prix de la Critique (1997/98) and Victoires de la Musique Classique et du Jazz (1999) and its CD won Grand Prix of Academie Charles Cros (1999), Diapason d´or de l´année 2000" in France, ECHO Preis 2000" in Germany and "Prix Caecilia" in Belgium (2000). In 2003 the film of his opera" Le Balcon" won the Grand Prix Golden Prague. His CD Bartók Bluebeard´s Castle was nominated for a Grammy Award in 2004. His violin concerto Seven was awarded "Prix de Composition Musicale" at Fondation Prince Pierre de Monaco in 2008. His work Valuska, based on the novel by László Krasznahorkai, was awarded the Artisjus Prize (posthumous) in May 2024.
His works have been recorded by BIS AG, BMC, DGG, ECM, Kairos, col legno, Erato, Hungaroton and his music is published by Editio Musica (Budapest), Ricordi (Munich), Salabert (Paris), Schott Music (Mainz).
Peter Eötvös was a member of the Akademie der Künste in Berlin, Széchenyi Academy of Art in Budapest and Sächsische Akademie der Künste in Dresden, Royal Swedish Academy of Music.
Prizes:
1988 Officier de l´Ordre des l´Arts et des Lettres (by the French Cultural Minister)
1997 Bartók Prize
2000 Christoph und Stephan Kaske Prize
2001 Gundel-Prize (for theatre work As I Crossed a Bridge of Dreams)
2001 Hungarian Classical Award of the Hungarian magazine Gramofon
2002 Kossuth Prize
2002 Royal Philharmonic Society Music Award
2002 Prize SACD Palmarčs (in cathegory "Prix Musique")
2003 Commandeur l´Ordre des Arts et des Lettres (by the French Cultural Minister)
2003 Freeman of Budapest
2004 Cannes Classical Award for "Living Composer"
2004 Pro Europa Prize
2006 Im memoriam Béla Bartók Prize
2006 Hungarian Arts Prize
2006 Grand Prix de la PMI - Prix Antoine Livio (Association Presse Musicale Internationale)
2007 Frankfurter Musikpreis
2011 Golden Lion Award for Lifetime achievement (55th International Contemporary Music Festival Biennale la Venezia 2011)
2015 Order of Saint Stephen of Hungary
2016 Le Grand Prix de la Fondation Simone et Cino del Duca - Composition musicale (Académie des Beaux-Arts, Paris)
2017 Artisjus Prize
2018 Goethe Medal
2024 Kossuth Grand Prize
2024 Artisjus Prize (posthumus)
see also: Eötvös Péter - conductor
Peter Eötvös is one of the best known interpreters of 20th century music. He was born in 1944 in Transsylvania, received diplomas from Budapest Academy of Music (composition) and Hochschule für Musik in Cologne (conducting). Between 1968 and 1976 he played regularly with the Stockhausen Ensemble. From 1971 to 1979 he collaborated with the electronic music studio of the Westdeutscher Rundfunk in Cologne.
In 1978, at the invitation of Pierre Boulez, he conducted the inaugural concert of IRCAM in Paris, and was subsequently named musical director of the Ensemble InterContemporain, a post he held until 1991. Since his Proms debut in 1980 he made regular appearances in London. During 1985-1988 he was Principal Guest Conductor of the BBC Symphony Orchestra. He was appointed First Guest Conductor at the Budapest Festival Orchestra in 1992-1995, First Guest Conductor at National Philharmonic Orchestra (Budapest) in 1998-2001, Chief Conductor of the Radio Chamber Orchestra of Hilversum in 1994-2005, First Guest conductor of the Stuttgart Radio Symphony Orchestra in 2003-2005 and Principal Guest Conductor, Modern and Contemporary Repertoire at Gothenburg Symphony Orchestra from 2003 to 2007. From 2009 he was First Guest Conductor at Radio Symphony Orchestra in Vienna.
Other orchestras he worked with include the most important Radio Orchestras in Europe, the Royal Concertgebouw Orchestra, Berlin Philharmonic Orchestra, Munich Philharmonic Orchestra, London Philharmonia, Wiener Philharmoniker, Orchestre de Paris, Cleveland Orchestra, NHK Orchestra Tokyo, Los Angeles Philharmonic and New Japan Symphony Orchestra. He also worked in opera houses including La Scala Milan, the Royal Opera House Covent Garden and La Monnaie, Brussels, Festival Opera Glyndebourne, Theatre du Chatelet Paris, with directors including Luca Ronconi, Robert Altman, Klaus-Michael Grüber, Robert Wilson, Nikolaus Lehnhof, Ushio Amagatsu.
In 1991 he founded the International Eötvös Institute and Foundation, in 2004 the Eötvös Contemporary Music Foundation in Budapest for young conductors and composers. During 1992-98 he was professor at the Hochschule für Musik in Karlsruhe, and from 1998 to 2001 at Cologne's Hochschule für Musik. He returned to his post at the Musikhochschule Karlsruhe between 2002-2007. He regularly conducted master courses and seminars all over the world, e.g. Edekoben, Luzern, Basel, Luxemburg, Szombathely, Madrid etc.
His many compositions (e.g. Atlantis, zeroPoints, Shadows, Levitation, CAP-KO, SEVEN) and operas (Three sisters, Le Balcon, Angels in America, Love and Other Demons, Die Tragödie des Teufels) are regularly performed throughout the world.
Three Sisters was awarded France´s Prix Claude-Rostand, Grand Prix de la Critique (1997/98) and Victoires de la Musique Classique et du Jazz (1999) and its CD won Grand Prix of Academie Charles Cros (1999), Diapason d´or de l´année 2000" in France, ECHO Preis 2000" in Germany and "Prix Caecilia" in Belgium (2000). In 2003 the film of his opera" Le Balcon" won the Grand Prix Golden Prague. His CD Bartók Bluebeard´s Castle was nominated for a Grammy Award in 2004. His violin concerto Seven was awarded "Prix de Composition Musicale" at Fondation Prince Pierre de Monaco in 2008. His work Valuska, based on the novel by László Krasznahorkai, was awarded the Artisjus Prize (posthumous) in May 2024.
His works have been recorded by BIS AG, BMC, DGG, ECM, Kairos, col legno, Erato, Hungaroton and his music is published by Editio Musica (Budapest), Ricordi (Munich), Salabert (Paris), Schott Music (Mainz).
Peter Eötvös was a member of the Akademie der Künste in Berlin, Széchenyi Academy of Art in Budapest and Sächsische Akademie der Künste in Dresden, Royal Swedish Academy of Music.
Prizes:
1988 Officier de l´Ordre des l´Arts et des Lettres (by the French Cultural Minister)
1997 Bartók Prize
2000 Christoph und Stephan Kaske Prize
2001 Gundel-Prize (for theatre work As I Crossed a Bridge of Dreams)
2001 Hungarian Classical Award of the Hungarian magazine Gramofon
2002 Kossuth Prize
2002 Royal Philharmonic Society Music Award
2002 Prize SACD Palmarčs (in cathegory "Prix Musique")
2003 Commandeur l´Ordre des Arts et des Lettres (by the French Cultural Minister)
2003 Freeman of Budapest
2004 Cannes Classical Award for "Living Composer"
2004 Pro Europa Prize
2006 Im memoriam Béla Bartók Prize
2006 Hungarian Arts Prize
2006 Grand Prix de la PMI - Prix Antoine Livio (Association Presse Musicale Internationale)
2007 Frankfurter Musikpreis
2011 Golden Lion Award for Lifetime achievement (55th International Contemporary Music Festival Biennale la Venezia 2011)
2015 Order of Saint Stephen of Hungary
2016 Le Grand Prix de la Fondation Simone et Cino del Duca - Composition musicale (Académie des Beaux-Arts, Paris)
2017 Artisjus Prize
2018 Goethe Medal
2024 Kossuth Grand Prize
2024 Artisjus Prize (posthumus)
see also: Eötvös Péter - conductor
| Year | Title | Publisher | Code | Remark |
|---|---|---|---|---|
| 1979 |
Hungarian Electronic Music
(Magyar elektronikus zene) |
Hungaroton | SLPX 11851 | LP |
| 1985 |
Eötvös, Péter: Cricketmusic / Windsequenzen
(Eötvös Péter: Tücsökzene / A szél szekvenciái) |
Hungaroton | SLPX 12602 |
Own LP |
| 1989 | Erato | ECD 75554 |
Own |
|
| 1990 | ORF | MP 90 ORF 08 | ||
| 1997 | Koch-Schwann | 3-5037-2 | 2 CDs | |
| 1998 | BMC Records | BMC CD 007 |
Own |
|
| 1999 | BIS Records | BIS-CD-948 |
Own |
|
| 1999 |
Eötvös, Péter: Three Sisters
(Eötvös Péter: Három nővér) |
Deutsche Grammophon | 459 694-2 |
Own 2 CDs Prix de l'Académie Charles Cros (Paris, 1999) Prix Caecilia (Union de la presse musicale Belge, 2000) ECHO Klassik-Preis 2000 DIAPASON D'OR DE L'ANNEE - France 2000 |
| 2000 | ECM Records | ECM 1711 | ||
| 2000 | Col Legno | WWE 2CD 20075 | 2 CDs | |
| 2000 | Kairos | 0012082KAI |
Own |
|
| 2001 |
Eötvös, Péter: zeroPoints / Beethoven: Symphony No.5
(Eötvös Péter: zeroPoints / Beethoven: V. szimfónia) |
BMC Records | BMC CD 063 |
Own |
| 2001 | BMC Records | BMC CD 038 |
Own |
|
| 2001 |
Psy: Charm of the Cimbalom
(Psy: A cimbalom varázsa) |
Hungaroton | HCD 32015 | |
| 2002 |
Eötvös, Péter: Electrochronicle
(Eötvös Péter: Elektrokrónika) |
BMC Records | BMC CD 072 |
Own |
| 2002 |
Dervish Dance
(Dervistánc) |
BMC Records | BMC CD 059 | |
| 2003 | BMC Records | BMC CD 085 |
Own |
|
| 2003 |
Intervalles Interieurs / Windsequenzen
(Eötvös Péter: Intervalles Interieurs / Szélszekvenciák) |
BMC Records | BMC CD 092 |
Own |
| 2003 | Schott | KAT 71-99 |
Own |
|
| 2004 |
Péter Eötvös: Snatches
(Eötvös Péter: Snatches) |
BMC Records | BMC CD 097 |
Own |
| 2004 | BMC HMIC | BMC PCD 015 | Not for sale - only for promotion | |
| 2005 |
a la Carte - Solo Works for Cello
(a la Carte - szólódarabok gordonkára) |
Hungaroton | HCD 32288 | |
| 2005 |
Joint works of contemporary Hungarian composers from the 1970's
(A 70-es évek kortárs magyar szerzőinek közös művei) |
BMC Records | BMC CD 116 | |
| 2005 | L'empreinte Digitale | ED 13211 | ||
| 2006 | Deutsche Grammophon | DGG 00289 477 6150 | 20/21 | |
| 2007 | NEOS | NEOS 10705 | ||
| 2008 | Deutscher Musikrat | 74321 73560 2 | Musik in Deutschland 1950-2000 | |
| 2009 |
Eötvös, Péter: As I Crossed a Bridge of Dreams
(Eötvös Péter: As I Crossed a Bridge of Dreams (Az álmok hídján mentem át)) |
BMC Records | BMC CD 138 |
Own |
| 2009 | NEOS | NEOS 20802 | ||
| 2010 | BMC Records | BMC CD 175 |
Own |
|
| 2011 | ECM Records | ECM 2209 | ||
| 2012 |
Péter Eötvös: Three Sisters
(Eötvös Péter: Három nővér) |
BMC Records | BMC CD 190 |
Own Previously released on Deutsche Grammophon in 1999 (459 694-2) |
| 2012 | Alba | 314 | ||
| 2012 | naive | V 5285 | 2 CDs | |
| 2013 | Glyndebourne Productions | GFOCD 020-08 |
Own 2 CDs |
|
| 2013 | Verso | Verso 2143 | ||
| 2014 | BMC Records | BMC CD 170 |
Own |
|
| 2014 | Querstand | VKJK 1415 | ||
| 2016 | BMC Records | BMC CD 226 |
Own |
|
| 2017 |
Péter Eötvös: String Quartets - The Sirens Cycle / Korrespondenz
(Eötvös Péter: Vonósnégyesek - The Sirens Cycle / Korrespondenz) |
BMC Records | BMC CD 249 |
Own |
| 2018 | Warner Classics | 5054197005817 | ||
| 2019 |
Péter Eötvös: Gliding - Four Works for symphony orchestra
(Eötvös Péter: Gliding - Négy zenekari darab) |
BMC Records | BMC CD 284 |
Own |
| 2020 |
Péter Eötvös: Senza sangue
(Eötvös Péter: Senza sangue) |
BMC Records | BMC CD 278 |
Own |
| 2020 | Hungaroton | HCD 32813 | Includes World Première Recordings | |
| 2021 | Harmonia Mundi | HMM 902655 |
Own |
|
| 2022 | Linn Records | CKD 691 |
Own |
|
| 2024 | BMC Records | BMC CD 332 |
Own |
| Title | Type | Year |
|---|---|---|
| "Now, Miss!" | Chamber Music | 2016 |
| "Now, Miss!" (Klangspiel) | Live and tape music | 1972 |
| 600 Impulse | Ensemble | 2000 |
| a Call | Instrumental solo | 2015 |
| A Crazy Night | Film music | 1969 |
| A magyar romokon | Solo voice(s) a cappella | 1959 |
| A Strange Melody | Film music | 1968 |
| Adagio | Instrumental solo | 1959 |
| Adventures of the Dominant Seventh Chord | Instrumental solo | 2019 |
| Alhambra | Concerto | 2018 |
| Alle Vittime Senza Nome | Symphony orchestra | 2016 |
| Amerigo Tot | Film music | 1969 |
| Angels in America | Opera | 2004 |
| Arena | Film music | 1970 |
| Arrival | Film music | 1962 |
| As I Crossed a Bridge of Dreams | Stage work | 1999 |
| Atlantis | Solo voice(s) with solo instr. and orch. | 1995 |
| Aurora | Concerto | 2019 |
| Bánk bán | Music for the theater | 1968 |
| Becket | Music for the theater | 1965 |
| Brass - The Metal Space | Ensemble | 1990 |
| Cadenza | Instrumental solo | 2008 |
| Cadenza | Instrumental solo | 2022 |
| CAP-KO (dedicated to Béla Bartók) | Concerto | 2005 |
| Cats´ Play | Film music | 1974 |
| Cello Concerto Grosso | Concerto | 2011 |
| Chalk-Drawings | Film music | 1968 |
| Chinese Opera | Symphony orchestra | 1986 |
| Cricketmusic | Tape music | 1970 |
| Cziffra Psodia | Concerto | 2020 |
| da capo | Ensemble | 2014 |
| Dances of the Brush-footed Butterfly | Instrumental solo | 2012 |
| Darkness at Noon | Film music | 1963 |
| Der Blick | Multimedia | 1997 |
| Der Goldene Drache / The Golden Dragon | Stage work | 2014 |
| Derwischtanz | Instrumental solo | 1993 |
| désaccord - pour deux altos | Chamber Music | 2001 |
| désaccord 2 | Chamber Music | 2018 |
| Dialog mit Mozart | Symphony orchestra | 2016 |
| Die lange Reise / The Long Journey | Solo voice(s) with solo instrument(s) | 2014 |
| Die Tragödie des Teufels | Opera | 2009 |
| Dodici | Chamber Music | 2013 |
| Dodici per sei | Chamber orchestra | 2015 |
| DoReMi | Concerto | 2012 |
| Drei Aphorismen von Heinrich Heine | Chamber Music | 2019 |
| Drei Madrigalkomödien | Vocal ensemble | 1990 |
| E-C-H-O | Chamber Music | 2022 |
| Electrochronicle | Tape music | 1974 |
| Encore | Chamber Music | 2005 |
| Endless Eight I. | Choir and solo instrument(s) | 1981 |
| Endless Eight II. - Apeiron musikon | Choir and solo instrument(s) | 1989 |
| Erdenklavier-Himmelklavier Nr. 1. | Instrumental solo | 2003 |
| Erdenklavier-Himmelklavier Nr. 2 | Instrumental solo | 2006 |
| Fascination | Film music | 1963 |
| Fermata | Ensemble | 2021 |
| Focus | Concerto | 2021 |
| Fragment from János Arany´s Ballad | Instrumental solo | 2018 |
| Fünf frühe Klavierstücke | Instrumental solo | 1961 |
| Golden Age | Film music | 1963 |
| Goretsch! Goretsch! | Solo voice(s) a cappella | 2017 |
| Halleluja - Oratorio Balbulum | Choir and orchestra | 2015 |
| Harakiri | Stage work | 1973 |
| Harp Concerto | Concerto | 2023 |
| Herbsttag | Female choir | 2011 |
| Hommage à Domenico Scarlatti | Concerto | 2013 |
| Hommage à Haydn | Instrumental solo | 1959 |
| Hommage à Kurtág | Live and tape music | 1975 |
| Il Maestro | Instrumental solo | 1974 |
| IMA | Choir and orchestra | 2002 |
| Improvisation | Instrumental solo | 1961 |
| In Fifth Position | Film music | 1962 |
| Intervalles-Intérieurs | Live and tape music | 1981 |
| Intimus | Solo voice(s) with solo instrument(s) | 1973 |
| Jet Stream | Concerto | 2002 |
| Joyce | Instrumental solo | 2018 |
| Joyce for clarinet and string quartet | Chamber Music | 2017 |
| Konzert für zwei Klaviere | Concerto | 2007 |
| Korrespondenz | Chamber Music | 1992 |
| Kosmos | Instrumental solo | 1961 |
| Kosmos | Chamber Music | 1999 |
| Lady Sarashina | Opera | 2007 |
| Le Balcon | Opera | 2002 |
| Lectures différentes | Chamber Music | 2014 |
| Leonce and Lena | Music for the theater | 1961 |
| Levitation | Concerto | 2007 |
| LIGETIDYLL | Ensemble | 2022 |
| Lisztomania | Chamber Music | 2018 |
| Love and Other Demons | Opera | 2007 |
| MAO-ZOO, prelude on theme by FKK | Ensemble | 2020 |
| May Song | Solo voice(s), choir & chamber ensemble | 1955 |
| Märchen / Conte / Tale | Tape music | 1968 |
| Memories of a River | Film music | 1989 |
| Molto tranquillo | Chamber Music | 2015 |
| Mosaics of Coal | Film music | 1964 |
| Mourning Becomes Elektra | Music for the theater | 1963 |
| Multiversum | Concerto | 2017 |
| Music for New York | Tape music | 1971 |
| Natasha Trio | Solo voice(s) with solo instrument(s) | 2006 |
| New Psalm | Instrumental solo | 2013 |
| O Rose! (From "Ulysses" by James Joyce) | Chamber Music | 2015 |
| Octet | Ensemble | 2008 |
| Octet Plus | Solo voice(s) with ensemble | 2008 |
| Oliver Twist | Music for the theater | 1963 |
| para Paloma | Instrumental solo | 2015 |
| Paradise reloaded (Lilith) | Opera | 2013 |
| Paris-Dakar | Concerto | 2000 |
| per Luciano Berio | Symphony orchestra | 2018 |
| Pierre Idyll | Ensemble | 1984 |
| Prometheus | Film music | 1962 |
| Psalm 151 | Instrumental solo | 1993 |
| Psy | Chamber Music | 1996 |
| Psychokosmos | Concerto | 1993 |
| Radames | Opera | 1975 |
| Reading Malevich | Symphony orchestra | 2018 |
| Relentless Times | Film music | 1991 |
| Replica | Concerto | 1998 |
| Respond | Concerto | 2021 |
| Rondo | Instrumental solo | 1961 |
| Scherzo | Instrumental solo | 1960 |
| Schiller: energische Schönheit | Choir and chamber ensemble | 2010 |
| Secret Kiss | Stage work | 2018 |
| Sentimental | Instrumental solo | 2017 |
| Senza sangue | Opera | 2015 |
| Seven (Memorial for the Columbia Astronauts) | Concerto | 2006 |
| Seven Raisins | Music for the theater | 1965 |
| Shadows for Ensemble | Concerto | 1996 |
| Shadows for Orchestra | Concerto | 1996 |
| Sirens´ Song | Symphony orchestra | 2020 |
| Six Characters in Search of an Author | Music for the theater | 1964 |
| Sleepless | Opera | 2020 |
| Snatches of a Conversation | Concerto | 2001 |
| Solitude | Children's choir | 1956 |
| Sonata per sei | Concerto | 2006 |
| Sound of the Danube | Choir and orchestra | 2017 |
| Space | Film music | 1962 |
| Speaking Drums | Concerto | 2013 |
| Spotty and Bigears | Music for the theater | 1966 |
| Steine | Ensemble | 1985 |
| Stolen Entrance | Music for the theater | 1965 |
| The Age of Daydreaming | Film music | 1964 |
| The Glass Menagerie | Music for the theater | 1963 |
| The Gliding of the Eagle in the Skies | Symphony orchestra | 2011 |
| The Professor of Inferno | Film music | 1969 |
| The Silver Tassie | Music for the theater | 1961 |
| The Sirens Cycle | Solo voice(s) with solo instrument(s) | 2016 |
| The Storm | Music for the theater | 1964 |
| The Summer Cloud | Children's choir | 2017 |
| The Winter´s Tale | Music for the theater | 1969 |
| The Woman | Film music | 1965 |
| Thirst | Film music | 1965 |
| Thorn under the Nail | Film music | 1987 |
| Thunder | Instrumental solo | 1993 |
| Timon of AThens | Music for the theater | 1969 |
| Tragedy of Man | Music for the theater | 1964 |
| Triangel | Concerto | 1993 |
| Trio à cordes | Chamber Music | 2020 |
| Trois Sœurs / Drei Schwestern / Three Sisters | Opera | 1997 |
| Two Monologues | Solo voice(s) with orchestra | 1998 |
| Two Poems to Polly | Instrumental solo | 1998 |
| Un taxi l´attend, mais Tchékhov préfère aller à pied / There´s a taxi waiting for Chekhov, but he´d rather go on foot | Instrumental solo | 2004 |
| UNICEF | Instrumental solo | 2005 |
| Valuska | Opera | 2023 |
| Windsequenzen | Ensemble | 1975 |
| zeroPoints | Symphony orchestra | 1999 |
| Zwei Promenaden (from "Triangel") | Chamber Music | 1993 |